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Book’s Music podcast #354

Book’s Music podcast #354: Hilarious Country Music (and one bad song) by Booksmusic on Mixcloud

Country music can very much be a hoot, and this edition of the Book’s Music podcast celebrates the hoots and the hollering that happens on the funny side. It explores the hilarious stories that country music has provided in its recorded history, and I even manage to slip in a somewhat questionable song but for the most part, this show is about having fun. Have a guffaw, y’all.

VIDEO: LIZ’s “All Them Boys”

LIZ has a new song done with Pharrell Williams, to be found on The Amazing Spider-Man 2 soundtrack due out in a few days but from her latest EP Just Like You is the very nice and hot “All Them Boys”. Check out the full EP by clicking here, if you haven’t done so already.

FREE MP3 DL: Pink Floyd x Dead Prez’s “They Schools (CHEATCODE Remix)”

Does dead prez mix well with Pink Floyd? CHEATCODE gives it a shot when he turns dead prez’s inside out with a new remix, using “Another Brick In The Wall (Part II)” and coming up with this. Find out if it works for you.

SOME STUFFS: clipping. announce German shows

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As clipping. prepare to expose the world with their first release for Sub Pop, they’re heading to Germany next week for entertainment purposes:
April 25… Hamburg, Germany (Hafenklang)
April 26… Leipzig, Germany (Conne Island SkateRamp) (early show)
April 27… Cologne, Germany (Baustelle Kalk)
April 28… Erfurt, Germany (SG Club)
April 29… Nürnberg, Germany (K4)
April 30… Krems, Germany (Donaufestival)

On top of that, they will be elsewhere, all up to them releasing their Sub Pop debut:
May 16… New York, NY (Red Bull Music Academy Festival)
June 14… Barcelona, Spain (Sonar Festival
August 1… Katowice, Poland (OFF Festival)
August 15… London, England(Jabberwocky/The ExCel Centre)

As for the new album, it will be done in two distinct ways:
The LP and CD versions of this album are slightly different from each each other. The LP version does not include the songs “Intro” and “Ends” found on the CD version (“Ends” is included on the bonus 7” given to all pre-orders though!) but does include a slightly longer version of the track “Body and Blood”. The vinyl version also includes a bonus feature of 100 locked groove audio loops on side 4, which are exclusive to the vinyl version of this release.

100 locked grooves: can you get with that? That will be awesome. To pre-order the album before its June 10th release date, head over to Sub Pop.

RECORD CRACK: Samothrace’s “Life’s Trade” has been repressed

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Only 1000 copies (850 on standard black, 150 on gold vinyl) were pressed the first time around, but six years after 20 Buck Spin came out with Samothrace’s Life’s Trade (my review of which can be read by clicking here), they’ve pressed up another batch, which you may order by heading here. You may play it in full below.

FREE MP3 DL: Eskeerdo’s “31 Days”

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Eskeerdo has a brand new street album for you and the masses, or maybe it’s to defeat the naysayers, them asses if you will, and he calls this one 31 Days, a new 31-song (!!!) collection hosted by Don Cannon. The news may tell you that there isn’t anything good coming from Florida, but Eskeerdo wants to prove everyone wrong.

FREE MP3 DL: DJ Dave Dolla’s “Best Of Nas: From ILLmatic To Legendary”

Today marks the 20th anniversary of the release of Nas’ debut album, Illmatic (Columbia) and in honor of the occasion, DJ Dave Dolla has put together a one-hour mix of some of his best work, which he aptly titles Best Of Nas: From ILLmatic To Legendary. Download it while supplies last or before it disappears.

VIDEO: Subversive Sound Syndicate’s “Push The Clouds Away”

When the storm in your life comes in, it can be difficult to stay clear of the situation but from personal experience, even though it can and will take time, it’s just a matter of pushing the clouds away, and that’s what Subversive Sound Syndicate do in their new song. As Johnny Nash once told us, “look all around, there’s nothing but blue sky/look straight ahead, nothing but blue sky” and sometimes a simple shift of attitude will help you see yourself through. Words of advice.

FREE MP3 DL: Font Drama’s “Butter Biscuits”

Miss Eaves has returned not only with a new song, but as part of a duo with Clara Bizna$$. They call themselves Font Drama, and “Butter Biscuits” this one involves booty movements but only if you deserve it. The layers heard in this production makes this work for me, courtesy of Apple Juice Kid, so if you want to fully understand why “beans and rice didn’t miss these chicks”, press play. Turn this into the summer jam of 2014.

FREE MP3 DL: Led Zeppelin’s “Ramble On (Souleance Re-Edit)”

It was only a matter of time: the multi-tracks for Led Zeppelin’s “Ramble On” leaked a few years ago and now someone has put together a new version of the song where Robert Plant and John Paul Jones are now backed by some incredible funky jazz. The Souleance Re-Edit could also become a new movement. it’s that good, even without the stereophonic panning in the last half. The song was originally released 45 years ago this year, so let’s hear what happens when it has a new set of clothes.

OPINION: Prince now owns publishing and master recordings of his Warner Bros. material

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In the words of Jane’s Addiction’s Perry Farrell, “everybody has their own opinion”, and here is mine. Word this morning is that not only has Prince obtained the publishing rights of his older music (previously owned by Universal), but he has now obtained the master recordings, something he has fought for for over twenty years. When he marked his face with the word “SLAVE”, it had to do with issues pertaining to Warner Bros., as he wanted to own his own music. You would think that would be a simple task to do, but when you’ve made your company millions of dollars, that company does not want to give up what is essentially a piece of their cash cow. Prince changed his name to a symbol, he released music independently, then he left Warner Bros. to find a new home first with EMI, then with Universal. This left some fans wondering if he was so fed up with the music industry, why is he still catering to them by being associated with a major label.

Prince has showed he has a winning formula, but with every winner, there’s a miss. Prince has sold music independently, but the reason he has fought so hard for his older music is because not only does he want ownership of his own music, but because he will be able to earn as much from it. In a world where MP3′s are king and concert sales earn an artist much more than music sales, where does this leave Prince? If anything, it leaves him a much happier man.

  • This is what’s known. 2014 marks the 30th anniversary of Purple Rain, both the album and the movie. Many fans are expecting for some good things to happen in commemoration of it, and the article reveals that there will be a 30th anniversary deluxe edition of the album. Contents haven’t been announced yet, but one hopes it will feature all of the B-sides (both 45 and 12″ versions), live performances, and alternate takes, outtakes, and demos that have been circulating amongst collectors for 25 years. Will a deluxe edition also feature a DVD featuring all the videos made, live videos, and TV performances? Ideally, it would be nice but that would require to pay a fee for the use of his performances from the American Music Awards and Grammy awards but this is Prince, so we’ll see.
  • In terms of his publishing, it is possible we will hear more Prince material in television commercials, along with TV shows, movies, video games, and apps. Signing the contract is all about exploitation, and with him having full ownership, he will be exploiting himself in his own way. Now, it doesn’t have to be a specific product, in fact one doesn’t even have to hear Prince sing. It can be a portion of “Little Red Corvette” behind an ad for a car. Maybe a portion of “Delirious” for Cialis. “America” heard for a store selling patriotic carpets. The sky is truly the limit, but it also depends on if he wants to do it that way, or if he plans on selling his music in that fashion.
  • With him owning his master recordings, I am sure the requests for how his music will be sold will be an issue. Fans have wanted all of his albums to be properly remastered, and while there is a Kevin Gray-remastered version of Purple Rain, it is said to have been done not from the actual master tape, but a safety copy. If there is a series of Prince vinyl remasters, will they be done on 180g/200g vinyl? Will it be just the albums, or all of his 12″ singles? How about compilations of nothing but high quality versions of unreleased goodies? Or how about a compilation of unreleased music videos, as Prince was known to shoot his own videos at Paisley Park, only to never show them again? He could release them on DVD or Blu-Ray, or keep it digital and have it shown on Netflix. Speaking of Netflix, how about director’s cuts of Under The Cherry Moon or Sign ‘O’ The Times, or are films excluded? How much of the foods are the public going to get? How free will Prince’s new form of freedom be? Will the door be wide open, or more selective than ever?

    I loved what Frank Zappa was able to do when he finally obtained the rights to his own music. He released some projects on his own Barking Pumpkin label, but also had a deal with Rykodisc who ended up releasing most of his albums and new compilations, in the way he wanted them to be heard. It did upset a number of Zappa fans, who wanted to hear certain albums as is and not fixed up/edited in the way Zappa felt was better, so I’m certain people on different Prince-related boards will nitpick about things.

    Of course, the focus of this article is to show how selfish we, as fans, can be about our favorite artist. Or maybe that’s just me. Either way, the fact that he owns publishing and the master recordings is a huge plus for him. Part of this still has him attached with Warner Bros., who I am sure do not want to lose contact with someone who made them a healthy amount of money in the 1980′s. You can say that Prince is now on the same level as Neil Young, who Warner Bros. do not want to lose either. Young left Reprise records in order to find a new home with Geffen Records, where he ended up making five albums. While those albums were not big sellers as the work he did with Reprise, it proved to Reprise why Young was an asset to the label and why the label was an asset to him. Young was allowed to continue to explore, all while still earning a percentage of what he earns every year from “Heart Of Gold”, “Tonight’s The Night”, and “Long May You Run”. This could mean that Prince will be pulling some of Warner Bros.’ strings this time around, but who knows at this point. However, now that someone like Prince owns his work, where does that leave others who continue to fight for their rights to make a living from what they created in the first place? Will more artists continue to push forward or still earn an annual amount that continues to dwindle for the sake of another person’s livelihood?

    Also at hand: Prince samples. While not as heavily sampled as James Brown or Sly Stone, there’s a nice amount of Prince-related samples in hip-hop, electronica, and other forms of music. Will his people pursue those who have sampled him? Will he be open to more sample usage? How about Prince multi-tracks, how much of that will surface, if at all, outside of what already exists on bootlegs and file circulation?

    Until we hear “Starfish & Coffee” become the best part of waking up this morning, I say congratulations to Prince. We eagerly await to see and hear what’s next, and no doubt will be arguing when it doesn’t satisfy us because you know, we’re selfish when we don’t have to be.

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